'The aesthetics of the new romantics in the musical culture the second half of the XX century' - 'PHILHARMONICA. International Music Journal' - NotaBene.ru
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PHILHARMONICA. International Music Journal
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.G. Lebedeva The aesthetics of the new romantics in the musical culture the second half of the XX century

: The article offers the author's opinion on the popular music of the second half of the twentieth century, as the expression new romantic tendencies in the culture. Deals with the formation and development of musical culture in the context of subcultural movements. The protests, the associated General spiritual climate of Europe in the 60-80-ies of XX century. Investigated virtualization political processes through the introduction of certain dogmas in a musical environment. The author analyzes the process of nucleation of a new direction in the musical culture. The development of new aesthetics and club movement, media culture. Determines what is the role of video in development of these processes . Explores the phenomenon of the flagships of the new romantics. The period of the new romantics in the world of art and culture by the standards of history was very short, but, nevertheless, he became eras, the echoes of which still appear in the world of music and cultural space in General and deserve more detailed study.


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postmodernism, punk-rock, situationism, Guy Debord, Malcolm McLaren, subculture, Steve Strange, a new romance, George O Dowd, Culture Club

Abstract: The article offers the author's opinion on the popular music of the second half of the twentieth century, as the expression new romantic tendencies in the culture. Deals with the formation and development of musical culture in the context of subcultural movements. The protests, the associated General spiritual climate of Europe in the 60-80-ies of XX century. Investigated virtualization political processes through the introduction of certain dogmas in a musical environment. The author analyzes the process of nucleation of a new direction in the musical culture. The development of new aesthetics and club movement, media culture. Determines what is the role of video in development of these processes . Explores the phenomenon of the flagships of the new romantics. The period of the new romantics in the world of art and culture by the standards of history was very short, but, nevertheless, he became eras, the echoes of which still appear in the world of music and cultural space in General and deserve more detailed study.


Keywords:

postmodernism, punk-rock, situationism, Guy Debord, Malcolm McLaren, subculture, Steve Strange, a new romance, George O Dowd, Culture Club


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References
1. D.K. Kirnarskaya Human talents structure from musical prospective // PHILHARMONICA. International Music Journal.-2014.-1.-C. 98-104. DOI: 10.7256/.2014.1.11506.
2. R. M. Aleynik Apology Tolerance in the Contemporary Philosophy of Human // SENTENTIA. European Journal of Humanities and Social Sciences.-2013.-2.-C. 4-7. DOI: 10.7256/1339-3057.2013.2.9565.
3. Centre for humanitarian technologies. Humanitarian technologies and human development expert-analytical portal: url: http://gtmarket.ru/personnels/gi-ernest-debor/info
4. Guy Debord. The society of the spectacle / La Societe du spectacle. M Logo. 2000. P. 184
5. Alexander TARASOV. Situationist international. 23-24 August 1998. "Art magazine", No. 24: url: http://saint-juste.narod.ru/situat.htm
6. Ruhlmann, WilliamMalcolmMcLaren. Allmusic. http://www.allmusic.com.
7. Vermorel, Fred; Vermorel, Judy. Sex Pistols-the Story from the inside. SPb.: Amphora, 1994. P. 93
8. The Situationist International Text Library/ url: http://library.nothingness.org/articles/SI/all/
9. Kokarev, Andrew. Punk rock from a to Y. SPb.: Amphora, 1992. P.46
10. Burning Britain: The Historyof UK Punk 19801984 (Ian Glasper)1.
11. ADAM & THE ANTS CØMMUNITY ØUTPOST: url: http://www.adamandtheants.org
12. Ruhlmann, William Malcolm McLaren. Jason birchmeier.http://www.Jason birchmeier.com
13. Kozlov Alexey. Rock: the origins and development. Art and Design. ID: 82308
14. Post-Subcultural Reader. Oxford-NY, 2003. P.6
15. Litmir-electronic library: Alexey Kozlov. Rock. P.47 url: http://www.litmir.net/br/?b=82308&p=47
16. Aquarium Radio: url: http://www.aquarium.ru/misc/aerostat/aerostat343.html
17. Discohistory: url: http://discohistory.narod.ru/content/history_of_new_romantics/history_of_new_romantics.html
18. NEO80: Analytical portal of the 80-ies of XX century: url: http://neo80.ru/culture/new_romantics
19. Lefebre H. Everyday Life in the Modern world. L., 1971
20. Hebdidge, D. Subculture. The meaning of Style. L.-NY, 1981. P. 17
21. Hall, S. Deviancy, Politics and the media.-In: Deviance and Social Control. Ed. P. Rock. L., 1974
22. Kozlov Alexey. Rock: the origins and development. Art and Design. ID: 82308
23. s Music Genres.New Romantics url: http://www.pure80spop.co.uk/romantics.htm
24. Time Z. Magazine for the intellectual elite of society.url: http://www.ytime.com.ua/ru/26/4534
25. News Blog. This is the news. url: http://www.eternalart.ru/visage/
26. Jason Ankeny. The Human League. url: http://www.allmusic.com/artist/the-human-league-mn0000895443
27. Croce, Benedetto. Anthology of essays on philosophy. History, Economics, law, ethics, poetry. ollection of materialov. TRANS. S. Maltseva. SPb. "Pneuma". 1999. P.480
28. The New Romantics. www.pure80spop.co.uk.
29. Misha Verbitsky. Anticopyright. Book first: Situationism, psychedelia, copyright. url: http://imperium.lenin.ru/LENIN/32/c/c1.html
30. The Fontana Dictionary of Modern Thought. L., 1989. P. 824
31. Ilyin, I. P. Postmodernism from the origins to the end of the century: the evolution of scientific myth.-M.: Intrada. 1998. P.256
32. Yinger J. Contrculture and subculture. In: American Sociological Review, No.25, 1960. P.625.
33. People. url: http://www.peoples.ru/art/music/pop/boy/
34. Rozanov V.V. Religion. Philosophy. Culture. Author's collection . M: Respublika, 1992. P. 400
35. Danuser, Hermann. 1991. "Postmodernes MusikdenkenLösung oder Flucht?". In Neue Musik im politischen Wandel: fünf Kongressbeiträge und drei Seminarberichte, edited by Hermann Danuser, 5666. Mainz & New York: Schott.

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