'Interpretation of Christian ideas in operas and oratorios by French composers in the XIX XXth centuries. French musical drama by V. dIndy' - 'PHILHARMONICA. International Music Journal' - NotaBene.ru
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PHILHARMONICA. International Music Journal
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V.V. Azarova Interpretation of Christian ideas in operas and oratorios by French composers in the XIX XXth centuries. French musical drama by V. dIndy

: This article features the first study of the interpretation of Christian ideas in works for the musical theater created by French composers of the XIX - XX centuries; the main attention is paid to the works of the prominent composer, theorist, organist, teacher and public figure V. d'Indy (1851 1931), whose operas (Fervaal, 1897 and LÉtranger, 1903), state the ethical values of Christianity. The principles of complex analysis of the art concept from the peak of the composers creative evolution are distinguished by their novelty a major musical and theatrical work, Legend of Saint Christopher (1920). The composer/librettist d'Indy borrowed this consideration of "biography" genre semantics from Golden Legend the monument of Catholic Christianity of the XIII century: the principles of composition and the peculiarities of the musical dramaturgy of the work. The dramaturgy of French musical drama by V. dIndy is described as a phenomenon of the new synthesis of the arts in the cultural space of France, whose opening in the field of musical theater was committed by such major composers of the XX century as Claude Debussy and Igor Stravinsky. The author of the article grounded the topicality of the suggested spiritual content of the mystery-drama (sacred drama) by d'Indy for the modern man in search of Faith, Hope and Charity. The article provides a conclusion about the specifics of interpreting V. d'Indys ideas of Christianity, consisting of a dynamic, vibrant and socially sharpened broadcast of ethical tenets of the Christian faith by the composer from the stage of musical theater.


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Christianity, ideas, French musical theater, miracle, legend, opera, oratorio, Saint Christopher, martyrdom

Abstract: This article features the first study of the interpretation of Christian ideas in works for the musical theater created by French composers of the XIX - XX centuries; the main attention is paid to the works of the prominent composer, theorist, organist, teacher and public figure V. d'Indy (1851 1931), whose operas (Fervaal, 1897 and LÉtranger, 1903), state the ethical values of Christianity. The principles of complex analysis of the art concept from the peak of the composers creative evolution are distinguished by their novelty a major musical and theatrical work, Legend of Saint Christopher (1920). The composer/librettist d'Indy borrowed this consideration of "biography" genre semantics from Golden Legend the monument of Catholic Christianity of the XIII century: the principles of composition and the peculiarities of the musical dramaturgy of the work. The dramaturgy of French musical drama by V. dIndy is described as a phenomenon of the new synthesis of the arts in the cultural space of France, whose opening in the field of musical theater was committed by such major composers of the XX century as Claude Debussy and Igor Stravinsky. The author of the article grounded the topicality of the suggested spiritual content of the mystery-drama (sacred drama) by d'Indy for the modern man in search of Faith, Hope and Charity. The article provides a conclusion about the specifics of interpreting V. d'Indys ideas of Christianity, consisting of a dynamic, vibrant and socially sharpened broadcast of ethical tenets of the Christian faith by the composer from the stage of musical theater.


Keywords:

Christianity, ideas, French musical theater, miracle, legend, opera, oratorio, Saint Christopher, martyrdom


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